Guy Maddin’s movies exist on a bizarre dreamscape, but they also retain a certain disarming familiarity. Everything original about Maddin’s surreal black-and-white excursions come with a simultaneous ...

Master antiquary of the post-Surrealist WTF, Guy Maddin has been with us for almost four decades now, and he’s seen, as we have, the indie film-culture junglescape around him get colonized, stripmined ...

Filmmaker Guy Maddin says that watching a movie has more in common with a paranormal séance than meets the eye; he remembers the first time he realized that the French word for a movie screening is ...

Maddin's latest film, Keyhole, is filled with gangsters, ghouls and armfuls of mystery. Shot in black and white within the confines of Winnipeg, Keyhole proves that for Maddin, genre definitions are ...

Where to even start with The Forbidden Room? The latest film from cinematic maniac Guy Maddin (My Winnipeg) is his most colorful, most insane visual orgy yet, marking what is possibly the Canadian ...

You’ll never mistake a Guy Maddin film for the work of another director. His style is so unique and consistent that—with only six feature films under his belt—he’s carved out a niche solely his own.

Even with a new film to sell, Guy Maddin is not your standard-issue eager-to-please director. "So many people are baffled," he says, with well-practised irony. "The movie will be crystal-clear upon ...

Through the ornate fonts, tints, intertitles, scores, acting techniques and camera tricks that have made his “directed by” credit the ultimate redundancy, Guy Maddin demonstrates in The Forbidden Room ...

As his latest film, "Keyhole," a disjointed version of The Odyssey, gets set to screen in Berlin, Canadian cult director Guy Maddin talked to The Hollywood Reporter about "The Artist" stealing his ...

Steam pouring from manhole covers, the neon-lights of 42nd street seen through rain-streaked taxicab windows, phalanxes of cops spied from tenement rooftops as they sweep a city block — David C.