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They arrive at my Salt Lake City apartment in the middle of the afternoon on the tenth of September, 2016, and we’re on ...
Sarah Hollenberg is a Canadian art historian and teaching faculty at the University of Utah in Salt Lake City. Her writing ...
Somewhere in the stratosphere between Ohio and New York, cumbersome bodies bumping against pockets of turbulence, my mind ...
In this episode, Meghan O’Rourke, poet, author and editor of The Yale Review, speaks frankly about pursuing a creative and professional life with chronic illness. Joining Lauren Wetmore in ...
On August 29, 2023, the Globe and Mail published an article headlined “Toronto’s cash-strapped Artscape to enter receivership, end management of 14 artist facilities.” Because I’d recently spent two ...
In between visits to Nadia Belerique’s exhibition, SLICE, at David Dale Gallery in Glasgow, I’d been engaged in moving flats for the first time since March 2020. The imaginative potency of private ...
No one likes being called an amateur, a dilettante, a dabbler. “Unprofessional” is an easy insult. The professional always makes the right moves, knows the right thing to say, the right name to check.
Not very long ago I read Toni Morrison’s Home. This, her tenth novel, chronicles the wayward journey of a young war veteran, Frank Money, making his way back home to Georgia. The novel reroutes the ...
Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though his most renowned artworks are in the next gallery along with his clownish public ...
Paula Mejia. Paula Mejía is a Colombian American writer and editor from Houston, Texas. Her writing on arts and culture has ...
Pizandawatc / The One Who Listens / Celui qui écoute, a recent exhibition at the Art Museum at the University of Toronto (AMUT), draws its title from the traditional name of artist Caroline Monnet’s ...
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