Meg Stalter, like Dunham, feels like an outlier in a regressive Hollywood landscape. Centering her in a buzzy project like this feels refreshing, if not radical.

Playing at a much lower call than Girls, Lena Dunham's new show is still impossibly sweet and disarming in its dissection of ...

The divisive creator behind the 2012 millennial satire is back making semi-autobiographical comedy. Do we finally understand ...

Florida’s elected officials should learn from the original facility that inspired the state’s newest immigrant detention ...

If he has a poor training camp and preseason, is it really out of the question that the Chiefs will part ways with him before ...

Why is this episode of Too Much nearly twice as long as all the other ones? And that’s quite simply because it’s two episodes ...

Music supervisors Iain Cooke and Amy Lee talks about the music - from Taylor Swift and Bob Dylan - from the series.

The Texas Newsroom, which is investigating Musk’s influence over the Texas government, asked the governor’s office in April ...

Dottie is a] very different grandmother than I am, and my grandmother was. This grandmother I play is very modern, like an ...

I’m afraid of what’s going to happen in New York. I was there [at Whistling Straits] when they called Shane Lowry’s wife a ...

The window passenger said nothing by way of acknowledging his size or apologizing if he was spreading into my assigned area.

In the series, Jess (Meg Stalter), a 30-something American workaholic, moves to the U.K. after a devastating breakup. She ...